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From The Contemporary Review.
Things have not stood still with chess-players since Steinitz began his career
in London nearly forty years ago. It was the tournament of 1862 that attracted
him to this country at a period of temporary eclipse, so far, at least as English
chess was concerned. Staunton's empire was at an end, the lustre of his great
achievements for the moment dimmed by the dazzling radiance of Morphy's brief
appearance. When challenged by Morphy, and not, as it was supposed, quite relishing
the encounter, he is said to have exclaimed, "I wish this young man would attend
to his chess and leave me to my literary studies." For Staunton, besides being
a great chess-player, was also an accomplished Elizabethan scholar, and was then
engaged on his edition of Shakespeare. Thus the match between Morphy and Staunton
never came off, much to the disappointment of the amateurs of the day, though there
can be little doubt as to what would have been the result; for the Englishman
was an elderly and somewhat laborious player, while the American was young and
seemed to win his games by easy flashes of inspiration; and when youth meets age,
the Fates usually side with the rising star, as was exemplified when Steinitz
played Anderssen, and again when Lasker deprived Steinitz of time-worn laurels.
Morphy's astonishing but momentary display was also ended when Steinitz came
to London. It may be looked upon as the climax of a great period, and though
it had undoubtedly aroused fresh interest in chess, it was followed by a reaction,
as has sometimes been the way with supreme manifestations of the arts. Blackburne
had not "arrived," and Zukertort had not been heard of, so that there was an
admirable opening for a young player of genius. Steinitz, however, did not at
once come to the front. The great tournament was won by the old champion, Anderssen,
and the ambitious young Austrian only succeeded in taking the sixth prize. It
is rather curious to observe, in comparing the tournaments held in London in
1862 and 1899, that out of the fourteen or fifteen competitors engaged in each,
only two took part in both, namely, Steinitz and Blackburne. In 1862 Steinitz
was a young man of twenty-six and Blackburne a youth of twenty. It may be that
in 1899 both these players made their last appearance in an international contest.
Both looked old and worn; and broken in health as they were, it was not without
a feeling of melancholy regret that those who remembered their great encounters
in the past, watched them twice more sit opposite each other to play their last
two games, which resulted in a victory for each. Blackburne, on the whole, acquitted himself well in the tournament, winning two games of Pillsbury and
one of Lasker, and taking the sixth prize; finishing, in fact, next after the five
players who are now acknowledged to be the best in the world, namely, Lasker,
Pillsbury, Maroczy, Janowski and Schlechter. But Steinitz, the older man by six
years, the champion of over a quarter of a century's standing, was for the first
time in his experience left out of the prize list, and this, though there were
nine prizes among fifteen competitors. He took his defeats like a man, with resignation and dignity, occasionally going over positions and explaining to
sympathetic onlookers how, in his former days, he would have forestalled combinations,
or grasped opportunities that had presented themselves and had been neglected.
But the Steinitz of 1862 was full of resolution and vitality. His position in the
tournament of that year was by no means in accordance with his conception, never
particularly modest, of his own capacity; and Dubois, who had been fifth, was
promptly defeated by him in a match. This was followed by other similar contests,
including an engagement with Blackburne, which ended in a signal victory for
Steinitz by seven games to one.
Among the most enthusiastic amateurs of those days was the late Lord Russell of
Killowen, then a rising young barrister, who, however, did not find the demands
of clients so pressing as to prevent him from indulging freely in his favorite
games of whist and chess at the old Westminster Club. It was owing to his exertions,
in combination with those of a few friends, that the match between the young
aspirant Steinitz and the veteran champion, Anderssen, was arranged. Lord Russell,
however, told me only two or three months before his death, at the last chess
function he attended--the annual dinner of the Metropolitan Chess Club--that all
of his sympathies had been with Anderssen, of whom he was the backer. He admired
the old man's dashing and dauntless style of play, and the cautious, subtle tactics
of the younger expert did not appeal to his taste. Moreover, Steinitz had not the
gift of making himself popular, even in his youth. His character was independent
and aggressive, and he loved a fight, in which it must be said he always bore
himself sturdily; for never was there a bolder or more determined opponent. Thus it
was a great disappointment to Lord Russell, and to many other amateurs of the old
school that Steinitz defeated Anderssen, and by this victory gained the championship
of the world, a distinction that he held against all comers for twenty-eight years.
Lord Russell always held that Anderssen, who only lost by a margin of two games out
of fourteen, was in reality the better player, and doubtless there were many others
of the same opinion, for, even at the present time, no one would regard such a
narrow victory as conclusive. In any case it is certain that Steinitz's powers at
that time were far from having reached their maturity. He had not developed the
theories that revolutionized the existing ideas on chess and established the
"modern school."
It was part of Steinitz's nature, and no doubt one of the reasons of his success,
that he would take nothing for granted. His mind was essentially analytical, and
there was ample scope for its activity in the game of chess, the analysis of which
had scarcely gone beyond its fringe at the time when he took it in hand. Several
books had been published professing to give instruction in chess, but these were
mainly occupied in explaining the comparatively limited knowledge that had been
obtained from experience in the openings, and many of them were untrustworthy.
Staunton had improved on the previous works, and had done much towards systematizing
the existing knowledge, codifying the openings and correcting the errors of previous writers. But in his works the tone of personal prejudice
and ipse dixit, the desire to establish his own, often valuable, opinions, was more
pronounced than the love of purely scientific investigation. His teaching, on the whole, was rational
and useful, but it did not touch the root of the matter. Experts of the mid-century,
following the example of such potent and imaginative players as McDonnell and
Labourdonnais were accustomed to rely on the force of attacks usually directed against
the adverse king. They would endeavor to obtain a favorable position for a grand
assault and, given the opportunity they would generally carry it out with intrepidity,
and often with brilliance. It was a fascinating and exciting style of play that
had many attractions for both combatants and spectators. Even at the present day,
when analysis has done so much to discourage the Ruperts of chess, their methods are
those that arouse the most general admiration. No doubt the uncertainty of such
"sporting" tactics lends them an additional charm, and commends them to those who
seek rather the excitement of play than the scientific exactitude that has now been
brought to bear on the game. Certain it is that many attacks proved premature, and
were repulsed with loss, often severe enough to make ultimate defeat unavoidable;
for pieces that had been diverted from defensive functions to take part in an attack
necessarily left a weakness in the main position, and if the enemy could find his
way to the weak spot, the advanced forces could not be withdrawn in time to save
the situation.
To be continued.
About the Author
This article by Antony Guest is from the journal THE LIVING AGE (Seventh Series, Volume IX, October, November, December 1900), which is in the public domain.
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